I’m excited to announce I’ve just had another article published in The Woolf, Zürich’s premier English language e-magazine on writing.
Writers are very used to thinking about the various styles of POV as means to deliver information but often ignore their power to hide it. In the Masks edition of The Woolf, I take a deeper look at POV as a tool for mystery and subterfuge. If you’re interested, follow the link below.
Entry 43.1.106 – 01/1o/2
Damn it, damn it, damn it, damn it dam oh god no. NO!
From now on you will no longer be journaling. It’s over Gerald. Sloppy, messy, dirty.
You fool. How could you be such an IDIOT?
Despite your planning. Your careful precise planning everything is crumbling around you. It’s crumbling right now.
You can’t fix this. You can’t. You can’t.
The truck dump went as planned. The enclosures, The shackles, the table, mixing equipment, all gone. They were wiped clean of prints. They were sterilized. Just as before. You even remembered to remove serial numbers. Each item was placed in a different location along three different highways in four counties. That part of your plan remained precise Gerald. It worked perfectly. Be proud.
Proud? Shut up, shut up shut up! Why can’t the rest work perfectly? Why? Why couldn’t you see that coming? You’re so close. A stupid mistake a simple stupid mistake. IDIOT! STUPID IDIOT!
Entry 43.1.102 – 01/06/2014
It only took three days this time before the knock. You are getting messy, careless. Gerald, what are you thinking?
The police knocked twice on your door at approximately 7:24pm. You answered and of course badges were shown and the standard serious but courteous greetings were made. Their “posse” included two uniformed officers and two detectives, Seo, and Martin I believe. They, of course, had questions and you, of course, had answers.
It appears Gerald, that a charm bracelet belonging to Carol was found in the street in front of your home. They assured you that DNA had confirmed it. Continue reading