We’ve talked about the importance of letting others read what you’ve written. We’ve talked about the way in which an author can make use of alpha and beta readers. Now it’s time to discuss the trickiest part of the process. Now we get to deal with the chaotic landslide of feedback.
And you should be hoping for a landslide. That was the point of using your alpha and beta readers. This feedback can come in a variety of forms. From notes they’ve taken for you (more common and necessary from beta readers) to notes you’ve taken yourself as you discuss the work with them (most commonly performed with alpha readers). Today, I want to focus on beta readers and their feedback because this is where you’ll receive the most volume. It’s also where the most detailed critiques will occur. But first, a note on alpha readers particularly those found in critique groups.
Writing critique groups are a great way to get your writing in front of others however, the efficacy and quality of this form of critique can vary, a lot. I’ve been lucky enough to be a part of multiple critique groups over the past few years and each was useful in its own way. One was a group where five fixed members attended once a week. We were thus familiar with each other’s work and with each other’s style of critique, making the task of analysing that feedback much more easy and consistent.
Another group I attended had a core cast of regulars plus a rotating cast of writers each week. This meant that, while always great company, not every piece of feedback was useful. This also boiled down to familiarity or a lack of it, both my familiarity with their personalities, preferences, and critique skills and their familiarity with my work. The feedback from a group like this can be and has been very valuable to me but I had to work harder to evaluate their critiques. It’s much more difficult to establish the necessary trust, though with some of the regular members, it was there in spades.
Okay, back to beta readers. Here’s is where the “fun” really begins and by “fun” I mean work. I’ve received anywhere from one to ten pages of notes from beta readers in the past and tend to provide between five and ten or more pages when beta reading for others. That’s a lot to sift through and sifting we must do. (Note: This volume reflects beta reading for a novel sized piece.) Continue reading