In this new blog series, I’ll be exploring the ways in which the world of RADIO diverges from our own reality. So much is familiar but remember, the devil is in the details and oh, what devils they can be.

In this first installment, we’ll focus on the fundamental principal that makes everything in RADIO possible.

Consciousness

In RADIO, consciousness is not something that humans possess. It isn’t housed or generated within us. Instead it comes to us as a signal from somewhere out in the æther. Where? Not even Marduk knows.

Humans “tune in” to their own consciousness much like a radio tunes in to a station. Like a radio, the mind allows us to interface with these signals. Without a radio the song won’t play and without a mind, life’s gone too. Not every human interacts with these signals in the same manner. For a select few, their manipulation of consciousness brings with it great power.

Mono-Reveivers

The vast majority of human beings are Mono-Receivers or Monos as those in the Mentium call them. They can only tune in to their own consciousness. They go about their daily lives oblivious to the thoughts of others or the control forced on them by the “gods.” The monos think they run the world, and this is, of course, by design.

Multi-Receivers

Much more rare are Multi-Receivers or Multis. These are the Great Mindinis and Madames Esmereldas of the world. Now, your run of the mill fortune tellers, mediums, and mystics are the flimflam artists you expect them to be, however, some within their ranks are true mind readers. They possess the ability to tune in to not only their own consciousness but those of others as well. What they do with what they learn can make them friend or foe but either way, they can get into your head.

Broadcasters

The “gods”, though they are, indeed, human, refer to themselves as Broadcasters. This minuscule fraction of the population not only can read minds, they can broadcast images, commands, and more into the heads of those nearby. This power to control someone else’s consciousness is what has helped them build their religions, empires, and ultimately the Mentium itself. It’s how they’ve managed to dominate the world for millennia. While their mental reach was once limited to an area no larger than a kilometer, it now spans the continent thanks to the power of Marduk’s radio. Nothing will be the same for anyone.

Spectres

Finally we come to the Spectres. They are the most powerful and most rare of all humans. Little is known about them because Spectres do not exist. They don’t exist because the Mentium does not allow them to exist. The gods cannot stand to be prey.

Want to know more? Stay tuned for the next installment where we’ll discover just who the Mentium are, how they’ve come to dominate the globe, and what godhood means in the world of RADIO.

Fiction is about escapism or connection and more often than not, both. today I want to talk about escapism. It’s a way for us to leave our daily life behind and discover something new. To feel something different and strange and outside the norm. When we crack the cover of a detective novel or settle into the world of mutants or aliens, or elaborate Victorian households, we let our minds expand into that space. We become a part of the story and it’s fun. It’s so much fun.

So, in what direction do you escape? For me, I escape into the dark. The horror and the thrills, the mystery and violence, the hard questions with the even harder answers. That’s where I come alive. I love thinking about how people overcome the negative or are dissolved by it. The characteristics of the troubled anti-hero are far more complex and gripping than any gleaming knight could hope to be. The drama of a space politician plunging the universe into war all for one problematic ideal makes me think of the issues we face in our own world. The undeniable skill involved in planning the perfect killing. The perfectly executed scene of  a monster devouring its prey. It’s a thing of beauty.

Weird, right? It may seem that way to those who only use fiction as something to relate to. Something to connect with. Those who seek out characters whose traits they can see in themselves.  In that case then seeing yourself in Sauron or Hannibal Lecter might truly be cause for concern. Remember though, connection is only half the fun. Escapism works in reverse. It drives you to seek out characters and worlds that are foreign and unique and decidedly not connected to you.

That’s the beauty of escapism, you are allowed to abandon your own life (whatever that may look like) for something out of the ordinary. I’m a happy, normal, well-adjusted guy (I think). I live a great life and have a great set of family and friends, so if I want to experience something new and different I have to find characters, places, and situations that don’t reflect my light-hearted life. The uplifting and the heartwarming don’t allow me to escape. Or at least not very much.

Why? Because I have to step into a character’s life that’s a lot like mine. I’m experiencing situations I’ve actually experienced. I don’t get the rush of feeling something I wouldn’t normally feel. The world may be on a planet far, far away or in a village hundreds of years into the past but if the story involves some person who likes some people, loves some people, dislikes some people, and does ordinary things with those people then my feelings stay trapped within the ordinary and comfortable. I don’t want to be comfortable. I want to be made to think and imagine and feel all the things I couldn’t or wouldn’t in my day-to-day life. I want to try on some new skin. I want to climb into someone else’s brain. I want to see life from a different perspective. I want to get away. To escape.

Writing has become an incredible escape for me. The twist is that instead of immersing myself into someone else’s world, it allows me to create the worlds I want. Places that haven’t existed for me already. Or maybe the places exist but the characters and situations I’m dying for haven’t yet been made. I get to shape them any way I choose and it’s a rush. The ability to create and destroy buildings, cities, worlds, lives… all without actually doing any of it. That is a power that is hard to describe. An escape that is hard to match. The added bonus for a writer is that in creating a universe for themselves, they allow their readers to escape there too. It’s a gift that is incredibly rewarding to give.

So, where is your escape?