Music and Mind Control Fill the Air

While the mind control that permeates the airwaves of RADIO’s Paris may be a fantasy, the music is just fantastic and very much real. This playlist is almost entirely filled with music that rang through the streets of 1928’s Paris. There are a few songs that while a bit anachronistic, still inspired the world I created. I recommend listening with shuffle turned on. Enjoy!

Jazz in Paris

The story of jazz in Paris is the story of racism and prohibition in the United States. Jazz first took hold in Paris during and after WWI as members of segregated US military forces including the legendary Haarlem Hellfighters, were heartily welcomed by the war-weary french, a reception they could never find back in the states. These servicemen brought more than freedom for the french, they brought jazz. The most important figure in the earliest days of Parisian jazz was American military jazz band leader, James Reese Europe, whose band played in the streets of Paris, introducing the music to everyone within earshot.

Paris brought a level of freedom to these servicemen as well. While any claim that Paris was free of racisim in the 1920’s or today is absurd, the particular brand of racism was very different from what African Americans faced back home. Many musicians decided to stay rather than return to the harsher realities of the United States and the roots they put down in Paris were also the roots of jazz in the city. This created a growing ecosystem for more American jazz musicians to join.

Prohibition also played a major role in driving musicians to Europe and Paris. Live music and drinking establishments go hand in hand. With the prohibition of alcohol, many musicians found themselves working either illegal bootlegging jobs to make ends meet or working in illegal speakeasies in order to continue working as musicians. In Paris, where drinks poured freely and affordably, and jazz was picking up steam as a major musical force, it only made sense to make the trip across the Atlantic.

Del, the Guitar, and the 1920s

Del Chambers, who finds himself sharing his opium-addicted body with a god in RADIO, had one passion in life, the guitar. His role as a guitar player in a 1920s jazz band was a fairly new occurrence. In early jazz, the banjo was the stringed king of the rhythm section. The 1920s saw an innovation in guitar design and popularity. Luthiers, most notably Lloyd Loar at Gibson, were creating arched topped guitars which were louder and more projecting than their smaller, flat-topped counterparts. Because of this, guitar spent the decade climbing to prominence in the jazz world. However, it was still strictly a rhythm instrument. In his quest to expand what the guitar can do, Del took inspiration from blues musicians such as Lonnie Johnson and Blind Lemon Jefferson. Then, in the mid 1920’s, one jazz guitarist’s style changed how the guitar could be used in a band setting. These innovations sent he and his instrument on a meteoric rise to popularity. This was Del’s idol, the first true jazz guitar solo artist, Eddy Lang.

Eddie Lang

Eddie Lang was born Salvatore Massaro in Philadelphia in 1902. He first brought the guitar to prominence in the jazz world as a rhythm instrument in the early 1920’s but solidified his claim as the father of jazz guitar through his virtuosic solo playing from the mid 20s to the early 30s.
When people think of the original jazz guitar greats, they think of Charlie Christian and Django Reinhardt. While these two exceptional talents are easily the most popular early jazz guitarists, Christian was only a child and Reinhardt, an up and coming musician while Eddie Lang was in his prime.
To see his revolutionary skills on display, check out songs like Wild CatApril KissesEddie’s Twister, and more in the playlist above.
Sadly, Eddie Lang died during a routine tonsillectomy in 1933 at the age of thirty.

In RADIO, the god Marduk finds himself trapped within the body of an opium addicted jazz guitarist. Sharing a mind is difficult enough but having to fight both the previous owner’s will and the physiological call for the drug makes Marduk’s situation even more dire.

While often thought of as a Victorian drug, Opium use was still prevalent, if waning, in 1920’s Paris. Montmartre was the main location of most of the Parisian dens. While booze and cocaine were much more fashionable, opium dens supplied the drug, imported from France’s former Southeast Asian colonies, to customers looking to chase the dragon or le Brune Fée (brown fairy) as the french would say.

Opium is a drug that grew ever more dangerous as its method of use grew more refined over the ages. The sap from the opium poppy (known to the Babylonians as the joy plant) was first eaten as a pain-reliever and mood booster over six thousand years ago. This practice was wide spread. From Roman gladiators dulling fear to Alexander the Great’s armies medicating themselves, opium eating survived for thousands of years. Then, as tobacco was introduced to China in the 14th century, opium began to be added and smoked. This process evolved. Opium sap was cooked down into a paste and smoked over an open flame. The vaporized narcotics entered the system in new more potent ways, and both its effects and addictiveness increased. Today we see it in its most refined forms such as heroin and other opioids. Its ability to help and hurt have been driven to their max.

Opium has always been a mythic drug and there are many, many assumptions and exaggerations attributed to it. Let’s dispel two of its most persistent.

First, opium is often linked to and depicted as causing hallucinations. Opium is non-hallucinatory but does effect perception. High quality opium, known as chandu, causes the user to experience hyper-sensitized senses and acute focus. Poor quality opium, called dross, contains high amounts of morphine and causes the drowsy, dead to the world, effect so often shown in depictions of opium dens. Opium is also notorious for causing incredibly vivid and wild dreams, which may be the origin of the hallucination myth.

The second myth that often surrounds opium is actually a combination involving addiction and withdrawal. Namely that opium is relatively easy to become addicted to but also relatively easy to withdraw from. Nothing could be further from the truth and that is part of what makes this drug so insidious.

Unlike heroin where addiction is rapid, most opium smokers need to have a daily habit for more than a week before addiction takes place. This often lulls users into a false sense of security. Occasional smoking is very unlikely to lead to addiction but what counts as occasional? Once a month? Once per week? Per day? When the definition of occasional becomes too often, addiction can set in.

Ease of withdrawal is also often reversed when comparing heroin and opium. While heroin withdrawal is an awful, long, terrible experience, somehow, opium withdrawal is much worse.

I’ll leave the details of such a withdrawal for you to read in RADIO or for a much more in depth account, I highly recommend Opium Fiend: A 21st Century Slave to a 19th Century Addiction by Steven Martin. What started out as research turned to addiction and resulted in this modern, accurate account of what the cycle of opium addiction is actually like. This book helped my research immensely and I couldn’t recommend it more.

In this new blog series, I’ll be exploring the ways in which the world of RADIO diverges from our own reality. So much is familiar but remember, the devil is in the details and oh, what devils they can be.

In this first installment, we’ll focus on the fundamental principal that makes everything in RADIO possible.

Consciousness

In RADIO, consciousness is not something that humans possess. It isn’t housed or generated within us. Instead it comes to us as a signal from somewhere out in the æther. Where? Not even Marduk knows.

Humans “tune in” to their own consciousness much like a radio tunes in to a station. Like a radio, the mind allows us to interface with these signals. Without a radio the song won’t play and without a mind, life’s gone too. Not every human interacts with these signals in the same manner. For a select few, their manipulation of consciousness brings with it great power.

Mono-Reveivers

The vast majority of human beings are Mono-Receivers or Monos as those in the Mentium call them. They can only tune in to their own consciousness. They go about their daily lives oblivious to the thoughts of others or the control forced on them by the “gods.” The monos think they run the world, and this is, of course, by design.

Multi-Receivers

Much more rare are Multi-Receivers or Multis. These are the Great Mindinis and Madames Esmereldas of the world. Now, your run of the mill fortune tellers, mediums, and mystics are the flimflam artists you expect them to be, however, some within their ranks are true mind readers. They possess the ability to tune in to not only their own consciousness but those of others as well. What they do with what they learn can make them friend or foe but either way, they can get into your head.

Broadcasters

The “gods”, though they are, indeed, human, refer to themselves as Broadcasters. This minuscule fraction of the population not only can read minds, they can broadcast images, commands, and more into the heads of those nearby. This power to control someone else’s consciousness is what has helped them build their religions, empires, and ultimately the Mentium itself. It’s how they’ve managed to dominate the world for millennia. While their mental reach was once limited to an area no larger than a kilometer, it now spans the continent thanks to the power of Marduk’s radio. Nothing will be the same for anyone.

Spectres

Finally we come to the Spectres. They are the most powerful and most rare of all humans. Little is known about them because Spectres do not exist. They don’t exist because the Mentium does not allow them to exist. The gods cannot stand to be prey.

Want to know more? Stay tuned for the next installment where we’ll discover just who the Mentium are, how they’ve come to dominate the globe, and what godhood means in the world of RADIO.